← Examples

Replay one day from a year ago

Timestamps divide the day into three listening sessions, including one album played from start to finish.

ListenBrainz listenbrainz.get_all_listens

Captured May 2026

One day in order

ListenBrainz returns each play with a timestamp. Sorting one date in order shows album plays, shuffle runs, and the gaps between them.

The prompt

According to my ListenBrainz data, show me what I was listening to a year ago today. I'd love to see the shape of the day.

The response

According to my ListenBrainz data, show me what I was listening to a year ago today. I’d love to see the shape of the day.

Executing listenbrainz.get_all_listens
Total listens
38
Unique artists
16
Top artist
Steely Dan
Active hours
~6.5
Pink Floyd
overnight tail
2 tracks · 12:10 AM
Steely Dan
Can't Buy a Thrill
11 tracks · 12:33–1:30 PM
Classic rock
shuffle / radio mix
14 tracks · 1:31–3:01 PM
Mamas & Papas
cross-album set
7 tracks · 3:04–3:32 PM
ELO
Out of the Blue
3 tracks · 4:50–5:14 PM
Jagjit Singh
lo-fi ghazal
1 track · 9:22 PM
12 AM
4 AM
8 AM
12 PM
4 PM
8 PM
12 AM
Cross-midnight spillover
The two Pink Floyd tracks at 12:10 AM are the tail of May 1's Wall session, not a fresh start.
The outlier
A lone late-night lo-fi ghazal — Jagjit Singh reworked by Rahul Ahire — sits 4 hours after everything else.

The day has a clear three-act shape. After a short overnight tail of Pink Floyd that’s really the end of the night before, the real listening starts at 12:33 PM with a deliberate front-to-back play of Steely Dan’s Can’t Buy a Thrill — 11 tracks in album order over ~57 minutes, with “Reelin’ In the Years” getting an instant replay.

From there the day relaxes into about 90 minutes of classic-rock shuffle (Billy Joel, ELO, Layla, Hotel California, Queen, Dire Straits, Eagles), then pivots cleanly into a 28-minute Mamas & Papas mini-set drawn from five different albums, then a three-track ELO closer from Out of the Blue.

Two things worth flagging: the post-midnight Pink Floyd tracks belong to the prior day’s Wall session, not this one — strict 24-hour windows split natural sessions in half. And after a four-hour gap, a single late-night lo-fi rework of a Jagjit Singh ghazal closes the day at 9:22 PM, completely unlike anything else played.

Two caveats

Tracks after midnight belong to the previous night’s session, but a strict calendar-day query splits them off. One late-night track fits none of the surrounding listening and is left unexplained.